The Further Adventures of Don Nixie

Or: Please Don’t Tell My Daddy I Collaborated With Lawrence Welk

In a recent post I shared what I had just learned about the musical talents of Donald Niksch, who began his commercial endeavors with a song self-published under the name Don Nixie. Since the time of that post, Ruth Markovich (Trinity Lutheran Church historian) has been on the case, and has tracked down additional information, including (from a source who prefers to remain anonymous) some materials from a booklet that Don himself put together circa 1960, perhaps for his own family. The booklet's table of contents lists many of the songs he wrote, and includes an image from his manuscript of "When It's Springtime Back Home Again":


(Click on image to enlarge)
Image courtesy of an anonymous source.

From my point of view, that list has a couple of puzzling omissions — two songs mentioned in a 1954 newspaper item in my previous post: "Hobart, U.S.A., Our Old Hometown," and "Buzz, Buzz, I'm A Little Love Bug." Perhaps the news item was mistaken about Don's having written those songs? Or … perhaps … he wanted to erase them from history!?!

The booklet excerpts I was given included the sheet music for a song called, "Please Don't Tell My Daddy," with a surprising name in the credits:


(Click on image to enlarge)
Image courtesy of an anonymous source.

The song was written in 1946, by which time Lawrence Welk had already made a name for himself as the leader of a "big band" that had performed around the country. During the 1940s he and his band were regularly featured at Chicago venues.

How did Don Niksch, from Hobart, Indiana, get involved with this famous musician? Fortunately, Don himself tells us, in this excerpt from a three-page essay he wrote in 1960 about his songwriting activities:

When Lawrence Welk and his Champagne Music Orchestra appeared at the Aragon Ballroom in Chicago, I sent him a novelty tune entitled PLEASE DON'T TELL MY DADDY. In a few days I received a letter from Lawrence saying he liked the song very much and that I should call him at my convenience to discuss the composition. I called at his home and Lawrence and I worked on the song together making changes which he thought necessary. After two weeks the orchestra performed it at the Aragon Ballroom to a very enthusiastic audience as the song was broadcasted coast to coast over the Mutual Broadcasting System. I have a record of that broadcast and Jayne Walton, the Champagne Lady, usually reserved in her presentation, did a good job with the material although it was not her type of song. It was set for recording but since it is so important to couple the correct artist with the right material, the recording was never made.

You may read Don's full essay here.

Evidently Don's songwriting adventures went further than I ever suspected.

I have been looking around on the internet for any recordings, but no luck so far.

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Ruth Markovich also passed along to me a page from the Trinity Lutheran Church record books, with the marriage of Donald Niksch and Ruth Nagel written in, as it would have been had the person in charge in 1944 not inadvertently omitted it:


(Click on image to enlarge)
Image courtesy of Ruth Markovich.

It's interesting to see all the other names on that page — so many familiar ones!